“Case”–Hot or Cold?

Case Netflix Original

Case, Netflix Original

Nordic Noir crime dramas are now being imported and exported at an ever-increasingly rapid rate. Case, a Netflix Original, premiered in Iceland in 2015. In all that sharing of this Nordic noir genre, there has been a great flattening of content and quality with an obvious formula identifying the genre. This is my ninth review of Nordic Noir films and mini-series.  I am so addicted I inhale these grim, bleak, crime thrillers in almost a voyeuristic way. But I tell myself it’s only really dangerous and/or sick if you take action. No worries, but it is like watching a train wreck. Or is this genre an act of subterfuge? Corking our anxiety like acid in a vial?

Case begins in exactly the way we’ve come to expect: a young girl — in this case a teenage ballerina — is found dead in a horrifying scene. A gruff police investigator (with some deficiency in social skills) and her partner (a disgraced lawyer), obsessive and determined, solve the case against great odds from the authorities, those they assume they can trust, and slowly reveal the dark secrets of the entitled class.

In Case a wonderfully dowdy, suitably curmudgeonly, single female detective, Gabriela (Steinunn Ólína Þorsteinsdóttir), tenaciously works on solving the murder like an OCD avenging angel.

A wild drug-and-sex bacchanalia (common for this genre) provides local color as the stark naked blackmailer addresses his interrogator while distractedly pulling on his “man-meat”. (Is this a new first in cinematography?) Add Case to your Nordic noir watch list.

Movies today are sometimes extreme projections of the silver screen of our fears and dreams. And Nordic noir almost monopolizes the fear category (excluding horror, which I avoid). Case is not nearly as tightly woven as Bordertown, Department Q, or The Break to name a few, Nevertheless, the narrative still held my interest. Instead of evocative red herrings to take the viewer off track, Case has a saggy middle of irrelevant scenes that nearly destroys the pacing.   My advice–stick with it past the first two episodes (of nine) and the narrative picks up with a head-spinning series of surprises especially in episodes seven and eight.