Lady Bird– A Girl’s Flight from Home

Lady Bird movie

by Guest Blogger Bill Clark, photographer, mixed media artist, and fellow movie fiend

“Lady Bird” should have another title. For those of us who remember LBJ’s wife, nicknamed Lady Bird, this title confuses a potential audience.]

Greta Gerwig (first-time director and screenwriter,) takes us on the journey of seventeen-year-old Christine “Lady Bird” McPherson, brilliantly played by Saoirse Ronan (of Brooklyn fame; see my review of March 1, 2016 ) , as she navigates parent-child dynamics and the social complexities of her Catholic high school upbringing in Sacramento, California. Set in 2002-2003, the film’s warm colors cast a nostalgic look onto Sacramento, described by Lady Bird as the “Midwest of California.” but Gerwig does not let the film drift into a saccharine coming-of-age story.

We quickly witness sharply worded exchanges between Lady Bird and her mother, Marion McPherson, (the superb Laurie Metcalf, Tony award-winning actress for the 2016 Broadway play, “Doll House Part II” and the much older TV sitcom, “Roseanne”). Lady Bird wants to leave and “go where’s there’s culture, someplace like New York or New Hampshire.” So, they spar mercilessly over Lady Bird’s future after high school.

Her mother, tightly wound, overworked and the daughter of an abusive alcoholic mother, can’t let go of her past. Trying to keep her family financially afloat since the father (Tracy Letts, playwright of “August:Osage County” and actor in “Homeland”) lost his job, she tries to lower the bar for Lady Bird’s dreams but her communication is sometimes unintentionally brutal. Lady Bird’s best friend, Julie (Beanie Feldstein) supports her through the tortuous teenage angst involving sex, popularity and parents.

Gerwig exposes the emotional sinew of an intelligent adolescent woman from a struggling working class family as she heroically wobbles through managing to be true to herself while trying to repair a tattered, tender relationship with her damaged mother.

Based partly upon her own Catholic upbringing in Sacramento, Gerwig has said that she hopes that, after seeing Lady Bird, viewers will call Mom or Dad, brother or sister, daughter or son. I did.

“August: Osage County”– Family Secrets and Lies

 “August: Osage County”, the Tracy Lett’s Pulitzer Prize-winning Broadway play, has been released as an Academy-Award nominated movie starring the incomparable Meryl Streep and an affecting Julia Roberts, together with a stunning supporting cast.

AUGUST: OSAGE COUNTYThe story is a disquieting look at the dysfunctionality of an American family with secrets and lies that keep coming and coming, when the viewer least expects them.

“August” opens in Osage County, Oklahoma, with an alcoholic academic, Beverly (the superb Sam Shephard), who likes to quote TS Eliot, interviewing a young Native American woman as a caregiver for Violet, his drug-addicted wife, who has  cancer of the mouth.  The cancer is most likely symbolic of Violet’s combative nature and the demons who are devouring her from within.

On a blistering hot day in August, Beverly sets out on his small boat and mysteriously goes missing. Beverly’s three adult daughters return to their family home, along with their husbands or lovers and their children, together with Mattie Fae, Violet’s sister, and her husband Charlie with their son Little Charlie (a grown man.)  Secrets and lies surround Beverly’s disappearance, the major plot in “August: Osage County.”

The family’s dark past is painfully brought into the light, not only as it centers on the dying matriarch but also on the three daughters who have tried, and failed, to find loving relationships.  Mattie Fae is as complicated as Violet.  Revelations do not heal but simply damage further.  Each character chooses to hold on to their own lies rather than face reality and all its consequences. The viewer is the silent witness to the family wars.

As in other roles in which Streep inhabits an unsympathetic character (think:  “Kramer vs. Kramer,”  “The Devil Wears Prada,” and “The Iron Lady)” her understanding of each role makes you understand how each of these characters became damaged as well as draconian.  None of them are one-note stereotypes but layered, subtle, and original portrayals. Some critics disagree, but for me, I couldn’t take my eyes off of what I consider a shattering, unforgettable performance by Meryl Streep as a mother from hell. Please share whether you thought Streep overacted or got it just right.