Over Memorial Day Weekend I visited Windhover, the new spiritual and contemplation center on Stanford University’s campus, a minimalist architectural style suggesting Zen and personal renewal. Windhover takes its name from the series of five giant paintings by the internationally renowned Bay Area figurative artist Nathan Oliveira (1928-2010) who, in turn, named this series after Gerald Manley Hopkins’ poem (1877).
Windhover provides an extraordinarily beautiful and serene venue for quiet reflection exclusively for use by Stanford students, faculty, and staff. If you know someone at Stanford, you can walk into Windhover, a calmly powerful testimony to the necessity for meditation and reflection in daily life. [For the general public, there are docent-led tours every Tuesday at 10:00 am.]
As I approached the landscaped grounds I saw a granite labyrinth, a small Zen stone garden, a small grove of ginkgo trees, and a reflecting pool. Floor-to-ceiling windows suggest a sense of a museum, brilliantly combining art, spirituality, and nature. To the right as I stepped through the front doors, was a room for borrowing a zafu (Zen meditation pillow). The first painting one sees is Big Red, a large abstract oil painting of a kestrel (aka “windhover”) flying in a red sky. Oliveira’s other paintings include the magnificent Diptych, White Wing and Sun Radiating in either earth tones or sunshine yellow.
Windhover is an elegant and understated refuge in nature, its simple lines an eloquent design for meditative thought.
If you’re visiting campus, you could spend a wonderful day taking the Tuesday morning tour, followed by a walk around the Rodin Sculpture Garden, and then a hike up to the Dish in the Stanford Foothills. If weather proved uncooperative, the Cantor Center for Visual Arts and the Stanford Museum would be time well spent.