Ingrid Goes West–Don’t Tag Along
Social media can evoke strong feelings. There have been a number of critically acclaimed plays, movies, and television series dealing with the impact of social media, mostly negative, and primarily associated with depression (which social scientific research currently validates). Examples aren’t hard to find: “13 Reasons Why”, “Dear Evan Hansen”, one episode from “Black Mirror”. Ingrid Goes West can be added to this growing subgenre.
An unhinged social media stalker, Ingrid Thorburn (comically and poignantly played by Aubrey Plaza of “Parks and Recreation”), is a social outcast looking for a BFF. She discovers the virtual life of Taylor Sloane (Elizabeth Olsen), an Instagram “star”, whose perfect virtual lifestyle becomes Ingrid’s latest obsession. So Ingrid decides to leave her boring life behind and move to LA. What ensues is at times hilarious with satirical insights for our media-crazed world.
The themes in Ingrid Goes West are obvious and one-dimensional: social media is an illusionary world, narcissistic (Trump, anyone?) and better than it seems. Yet, Ingrid’s pathological need for attention and social acceptance are believable, especially from a vulnerable 20-something woman. No one is likable in Ingrid Goes West, especially Ingrid. But I wanted to have empathy for Ingrid’s flawed character: she displays total disregard for right and wrong. Ingrid has little remorse for her actions, and less compassion for others.
Ingrid Goes West leaves this viewer wondering how far would we go to fit in to a group we consider important for our well-being. How far would you go to be accepted or consent to be manipulated?
The angst that engulfs Ingrid is seen in her face, her body language, the way she obsesses. Desperate to distract herself from who she really is for who she wants people to think she is, social media filters her life choices with the imaginary friends usually associated with very young children.
The satire of Ingrid Goes West has become a bit of a fault line. Those inclined to think scrolling through your phone is anti-social, may think Ingrid Goes West is vapid Tweeting. But I looked at it as a takedown of hashtags, Instagram pics, “likes” and emojis. It’s perhaps more accurate to call this movie a critique of human behavior and the social media’s impact on all of us, an impact we don’t fully understand yet, since the technology is new but ubiquitous. The insidiousness of social media can turn toxic. Additionally, Facebok, Instagram, and Twitter can hold up a mirror to us and a metric for not only vanity but for community and what constitutes it.
Note: As of this writing, Ingrid Goes West is playing in theaters nationwide.