“Goliath” Season 4 (Finale)–Addiction

In this final season of Goliath   we again see the still down-and-out “lemon lawyer” Billy McBride (Billy Bob Thornton) take on a giant corporation.  This time it is an opioid mega-corporation, Zax Pharmaceuticals, and its billionaire CEO, George Zax (J.K. Simmons).   In a fierce and lurid courtroom battle in San Francisco  (eerily conjuring the Sackler family and Purdue Pharma in recent headlines), will McBride prevail?

Season 4 opens with a flashback to Billy McBride, narrowly escaping death by gunshot.  Billy’s mental condition and circumstances propel him into flights of fantasy, perhaps post-traumatic stress disorder, mixed into a cocktail of alcohol. 

McBride is temporarily residing in Chinatown, his apartment paid for by Margolis & True, the white-shoe law firm representing Zax Pharma.  His former partner Patty (Nina Arianda), now employed by Margolis & True,  has offered him a gig not only as a loyal colleague, but also because McBride is the best litigator she knows, even if other colleagues don’t agree.

Other characters add to the escalating courtroom battle.  The estranged brother, Frank Zax (Bruce Dern), and a daughter whom his brother finagled into adopting.  As dueling, antagonistic brothers intent on destroying each other, Frank and George Zax turn sibling friction into fiery and merciless conflict.

Goliath Season 4 pulls back the curtain on the opioid crisis that is relevant to the present day. It hones in on its displeasure at the lives lost for obscene corporate profit.

This is the best season since Season 1 (see my October 23, 2016 review).  Goliath always has had noirish overtones of Alfred Hitchcock, but in Season 4 some (not so subtle) scenes pay  homage to Rear Window.  It’s not always easy to tell how much is real and what’s imagined (which usually, but not always, is telegraphed by filming in black-and-white flashbacks and fever-dream images).   Nonetheless, this finale is riveting and compulsive watching.  Some overwrought scenes drag the momentum from time to time.  There is even a dance-and-song routine by J.K. Simmons, but he is so much fun to watch at his villainous best! Binge-view it to keep track of characters and threads in the plot!

Availability: Amazon Prime

“Goliath” — A New Amazon Prime Winner

 

goliath

This is a bingeworthy new eight-episode series from Amazon. “Goliath” characters are deeply flawed and yet vividly human and at least, to some extent, understandable. “Goliath” is extraordinary television.

Part film noir, part legal drama similar to “Good Wife” or “Law and Order”, with a bit of “Damages” and “House of Cards” thrown in, “Goliath” tells the story of a derelict, drunken grizzled lawyer, Billy McBride (played by Billy Bob Thornton in a star turn).   McBride was once a leading legal mind who, with Donald Cooperman (the haunting William Hurt in one of the best roles of his career) had started one of the most powerful law firms in Los Angeles. Now Billy McBride is a bottom-feeder taking on a case which turns out to be against Cooperman. Think of the movie “Lincoln Lawyer” (see my April 5, 2011 review).

Billy McBride’s former law firm still bears his name and the opposing counsel at Cooperman-McBride are simply over-the-top in their ferocity and callous pursuit of victory. Donald Cooperman is a nightmare of Shakespearean proportions who monitors all legal proceedings like a voyeur through his complex closed circuit surveillance system. His legal staff pursue the case while he watches as if it were a gladiator fight.

Hurt’s Cooperman is unforgettable, cunning and unforgivable. Thornton’s grizzled McBride is evenly matched to battle Cooperman in court. [A bit more backstory on some of the key players would have been welcomed.]

In addition to the startling cast (which includes supporting roles by the superb Maria Bello and Molly Parker)  the script for “Goliath” is masterfully written by David E. Kelley (of “Ally McBeal” and “Boston Legal” fame).   The cinematography lends a a very strong visual identity to downtown LA, Santa Monica, and Venice, particularly with the driving scenes and time- lapse shots

But perhaps the most idiosyncratic of the episodes in the “Goliath” series is the last minute of the last episode. It is one of the most ambiguous I have ever seen in a movie or have read in a novel. “Goliath” left me wondering and wanting more. There are too many unanswered questions and too many characters with unresolved futures. I must see a second season of “Goliath”. Amazon is currently in negotiations for giving us more!