My Top Ten Movies for 2011–Reviewed, Not Necessarily New

Happy New Year–the Year of the Dragon in 2012!  Most of all, I want to thank all of you for your comments and email!

With 2011 coming to an end, I wanted to take a look back at the movie reviews I wrote this year.  I am an unabashed cinephile– 500 films (maximum allowed) in my Netflix queue with another 88 in my Instant Queue.  So, when I counted the reviews I have written this year (=26), I wanted to see what would be my top ten favorites.  It wasn’t easy!

This list is not ranked –only my top ten for 2011, grouped by genre.

INDIES:

1) Restrepo (January 24 review)— This was an unforgettable film of Middle East-US conflicts.   No other film–with perhaps the exception of “Hurt Locker”– has portrayed such a visceral view of modern battle.  The cinematographer, unfortunately, died earlier this year while filming in the Middle East for another movie.

2) Departures (February 15 review) (Japanese title: “Okuribito”, lit. “a person sent out or dispatched”)–  This little beauty of a film takes a look into the in-between of life and death.  What Tibetan Buddhists call “bardo”. The humor and pathos are never saccharine or juvenile, an extraordinary accomplishment!

3) Bliss (April 25 review) –This Turkish movie is a beautifully acted cinematic gem that pits village customs against modern urbanization, religion against secularism. Without cultural stridence or judgmental condescension, “Bliss” moved me in ways that other films about injustice towards the helpless have not.

4) The Conspirator (May 23 review)— “In times of war, the law falls silent,” one of the military tribunal commissioners states matter-of-factly in this film  about the unconstitutional acts Americans do when feeling collectively frightened.

5) Rabbit Hole (July 4 review)— Never mordant, though painful, this taxonomy of grief is like no other I have seen in recent memory.  It taps a reservoir of feelings common to anyone who has experienced the reality-shifting vacuum left by a death in the family.

6) The Fall (August 16 review)— Portraits of art in motion in a parallel universe “The Fall” is, above all, visual storytelling but defies easy categorization!  I keep playing with the imagery–in my writing and my art.

BIG STUDIO MOVIES:

Comedies:

7) Bridesmaids (June 20 review)— Comedy is, I think, the most difficult form of scriptwriting and this script proved to be brilliant in the most unexpected moments.   It is vulgar physical comedy that doesn’t appeal to anyone who cannot channel his or her “inner teenage self”. However, if you want to see a comedy that heals wounds while making you laugh, this is it!

Political and Sociological:

8) Ides of March (October 18)— A gripping drama, the “Ides of March” is not a narrative of hope but of the blood sport of politics, especially campaigning.  Every time I see a political commercial, I think of this movie and the lost souls involved behind the scenes.

9) Margin Call  (December 8 review)– Among the excellent films and documentaries about the 2008 financial meltdown, this one humanizes the headlines–through the eyes of a trading floor manager, whose curdling resentment of who he is, results in a deeply tragic, heartbreakingly lonely figure.  Superb acting with Kevin Spacey never disappointing!

Action:

10) The Debt  (September 20)— Pure adrenaline rush, this is no typical espionage thriller.  Helen Mirren is stunning as the sixty-something action hero in this testosterone-drenched gritty film.  I have not seen an action movie as riveting as this one, punctuated even further by the Holocaust back-story.

While celebrating the New Year’s Weekend, why not watch one of my Top Ten? Can’t wait to see what’s in store for 2012!  Cheers!

 

“Bliss”–A Downward Spiral

A Turkish movie made in 2007,  “Bliss” is anything but.  From the opening scene of the hillside in spectacular cinematography recalling “Woman in the Dunes”, “Bliss”  is a beautifully acted cinematic gem that pits village customs against modern urbanization, religion against secularism, the disenfranchised against a justice system that blames and punishes the victim of the crime, not the criminal.  I found “Bliss” spellbinding.

The story is about three characters.  Meryem, a seventeen-year-old shepherdess, is brutally raped and then ostracized by her community and its leaders.  She is expected to commit suicide or face an “honor killing”.  The male cousin (Cemal), son of the village leader (Meryem’s uncle) is assigned the task of murdering her. A professor they meet (Irfan) gives both Cemal and Meryem shelter.

Meryem’s father and grandmother are inconsolable and powerless in the face of village customs but resigned to accept the tradition of “honor killing”.  Cemal is unaware of the nascent love he is developing for her. Against his own best interests and fundamentalist values, Cemal decides to abandon tradition and go on the run with Meryem, first to the city to see his brother and a friend, then to a distant fishing village. Serendipitously, Cemal and Meryem meet up with Irfan, a generous, exuberant university professor who is embarking on a sailing trip, and needs a crew. Together this unlikely trio sets forth on a journey that will change their lives. In the final half of the film  Meryem, the shy girl who has been almost invisible throughout her life, controlled by others and without a voice of her own,  quietly emerges as a courageous young woman igniting no less than a revolution through her determination to discover happiness, no matter how seemingly inconsequential it may seem to others.