The Tunnel–Seasons 2 and 3

 

The Tunnel Seasons 2 and 3 continue the tension from the first season, with a British and French detective partnership (Karl Roebuck and Elise Wasserman respectively) again working to solve a heinous series of crimes. (See my August 7, 2016 review of season 1: The Tunnel–Turf War or Building Bridges”.) Both season 2 and 3 seamlessly continue the tension, though by different writers and directors.

In Season 2 (“Sabotage”) the main plot is trying to figure out why a commercial airliner was hacked to override the autopilot, crashing in the ocean, killing everyone on board. The crash might be connected to other strange incidents including the abduction of the parents of a five-year-old girl while in the Chunnel.

The Tunnel Season 3

There are many plot twists  and subplots: connecting all the dots and understanding the motivation of each character, including the detective team. The narrative becomes quite convoluted. The sexual lives of Karl Roebuck (the excellent Stephen Dillane from “Game of Thrones) and Elise Wasserman (Fleur Delacour in “Harry Potter”) are revealed to be more complicated than in season 1. A sinister and mysterious mastermind, as well as a chemist who could rival the Nazi Mingele in his experiments, will keep the viewer on edge. No spoiler alerts here, but be prepared for nail-biting terror. Twisted ideologies, revenge, spies, terrorism, “marriage for sale”, sex trafficking, the vulnerability of love and loss, and the insidious nature of high-tech equipment in the hands of malevolent actors all make this second season of “The Tunnel” just as spellbinding as the previous season.

The Tunnel Season 3

Season 3 (“Vengeance”) stands on its own from the previous seasons with again, a new director and writer. In the anti-refugee hysteria of our times, we see the desperation of a mother looking for the  child she gave up decades ago during the war in Croatia.   An escalating refugee crisis and the exiled souls who experienced unspeakable tragedy seek relief from a society which mostly has turned its back.

Playing on the “Pied Piper” who purportedly promised a better life for the children who followed, we see the two intrepid investigators try to make sense of grisly sexualized murders, cyberstalking, a plague of rats echoing the Pied Piper,  and a macabre medieval enactment of murder. There is a subplot of a past cold case that still haunts Elise, also involving a child: missing children, children found, abandoned, troubled, and redeemed overlay the subplots and involve deceit, corruption, and trauma.

All of the disparate strands of this drama come to a tightly woven, shocking climax in the final episode ending this phenomenal three-season thriller. Few hints of what is to come in the finale prepare the viewer for the resolution, part satisfactory and part disconnected.

Highly recommended! And worthy of a repeat viewing, because the plots are so difficult to follow at times.

 

Note: Available on Amazon Prime (first two seasons) and Netflix (all three).

 

 

My Top 19 Netflix/Amazon Movies and Series for 2016

 

netflix

Here are the reviews I wrote this year with the criteria that they were available online and were not widely distributed through movie theaters.   Of the 43, here are my favorites.  It was much more difficult than in past years, since this year was absolutely stunning. Both television and cinema have continued to produce phenomenal story-telling.

The following list is not ranked –only grouped by genre. I could not limit my choices to only 10.

INDIES and FOREIGN CINEMA  amazon-logo

1) “No”–Mad Men in Politics (June 19, 2016 review):  In this Chilean film, with uncanny similarities to the recent election in this country, we see how voting can be manipulated by brilliant promotional advertising. ”No” was nominated for the Best Foreign Language Film Academy Award in 2012.

2) “The Past” (Le Passe)–Does the Past Define Us? (July 24 review): “The Past” is a a web of intrigue of Rashomon proportions. Everyone tells their version of the truth, but they do not explain everything. As the story unfolds, each character is imprisoned by his or her own version of the past, reminding us of our own mistakes and unintended consequences.

3) “Buen Dia Ramon”–The Sun Will Come Out Tomorrow” (July 31 review): Ramon’s remarkable openness to accept the kindness of strangers and begrudge none of his hardships is rendered believable. Struggling to survive on the street, he sleeps in a train station, and becomes increasingly desperate to earn money to send home. Yet he never builds defenses, remaining optimistic and determined, with an innocent enthusiasm that is, at times, astonishing in its emotional generosity and guilelessness.

 4) “The Tunnel”–Turf War or Building Bridges  (August 7 review): “The Tunnel” is more than a dramatic police thriller about fighting crime. The dualities of culture and personality, people divided by politics and history, are fascinating to watch for their layers of complexity. The uneasy chemistry between the two main characters is a metaphor for the cultural gap and ideological boundaries separating all of us: the powerful from the powerless, and the self-interest and turf-war conflicts between nations. “

 5) “Bron“–The Original “Bridge” (October 16 review): This detective series outdoes its own standard of excellence in each succeeding season. The main character is a reserved, non-emotive personality. She is brusque where her male partners are the emotional, sensitive policemen trying to understand her behavior and lack of social skills. And as the series progresses, the viewer comes to admire her professional drive and ache for the damage and horrific backstory that makes Saga who she is.

 6) Requiem for the American Dream–A Pending Nightmare (December 5 review): This eerily prescient 2015 documentary narrated by Noam Chomsky was in development before the official announcement of Donald Trump’s candidacy. Yet, in the “Ten Principles of the Concentration of Wealth and Power” the viewer sees the redesigning of the US economy.

 7) WadjdaA Feisty Little Girl (December 12 review): A delightful gem of a film celebrating the human spirit and a ten-year-old Saudi Arabian girl’s unwillingness to simply accept fate or broken dreams, “Wadjda” is a movie that will touch your heart.

PSYCHOLOGICAL AND SOCIOLOGICAL (US ONLY)

8)  “Truth” -And Nothing But (March 16 review): This movie raises the question: “What is truth? And how do we know?” Much like in a crime drama, the viewer follows the clues and the trail to the usual suspects. Based on a 2005 memoir, the wounds are still unhealed in this 12-year-old case.

9) “Confirmation”–The Sexual Harassment of Anita Hill (April 24 review): A drama that is more of a “street fight”, “Confirmation” portrays Senators Ted Kennedy, John Danforth and Joe Biden as unlikeable characters who engage in behind-the-scenes fights and backing down under political pressure. Not since “House of Cards” has there been seen such political ruthlessness and behind-the-scenes maneuverings.

10) “Closed Circuit”–We’re Under Surveillance (July 10 review): An adrenaline-pumping political thriller, portrays corrupt government forces who will stop at nothing. “Closed Circuit” is designed to raise the alarm over both the injustice of closed court hearings and the use of surveillance technology. We don’t know who’s watching or how they’re using what they see.

11) Weiner”– An Attention- Getter (September 11 review): Hubris, narcissism, tabloid spectacle and massive self-deception collide with the mesmerizing inevitability of a slow-motion trainwreck. “Weiner” is an engrossing, almost shamefully entertaining documentary about “politics at its most sensationalist and superficial.

12) Slavery by Another Name”– The Re-enslavement of Black Americans in the US (September 17 review): This documentary eviscerates one of America’s most cherished myths: the belief that slavery ended in 1863. Conveniently overlooked by the nation and perpetrated across an enormous region over many years, the institution of forced labor as a fixture of African American life perniciously suffocated their aspirations and opportunities for their families and their very existence.

13) Snowden –A Companion Piece to “Citizenfour” (October 9 review): In what is now the most well-known disclosure of US intelligence and surveillance practices, “Snowden” has opened a window to how counterintelligence is carried out in the global arena. A must-see for 2016 or 2017!

TV and ORIGINAL SERIES

14) “The Night Manager”(May 3 review):   Like a Bond movie, part of the  pleasure in watching this story unfold is suspending one’s disbelief at the preposterous plot lines and heroic battles. Suffice it to say the spycraft in this series is entertaining with a quirky subplot on the sad bureaucratic lives of government intelligence officers.

15) Bates Motel (Seasons 1-3)– Mother-Son Obsession (June 13 review):   A prequel to “Psycho”, in “Bates Motel” we see the twisted relationship between Norma and her son –the heart of the narrative—which drives the narrative to an end we expect but nonetheless gasp at. “Bates Motel” dares to touch this subject matter in such a brilliant and fearless manner. A tour-de-force like no other!

16) Bates Motel–Season 4— A Masterpiece (November 1 review): This controversial season takes us to where only the intrepid can bear to see such damage inflicted so ferociously on family. “Bates Motel” dares to touch the unspeakable in such a brilliant and fearless manner.

17) “The Night Of” –A Tale of Darkness (August 14 review): The connective tissue holding together the evidence both for and against Naz, a young Pakistani American indicted for murder, constantly shifts the viewer’s assessment of his guilt or innocence. This dark tale is addictive, deeply moving, compulsive television!

 18) Goliath–A New Amazon Prime Winner (October 23 review): Part film noir, part legal drama “Goliath” tells the story of a derelict, drunken grizzled lawyer who is a bottom-feeder taking on a case which turns out to be against his former partner. A nightmare of Shakespearean proportions, closed circuit surveillance system and a vicious fight add to the twisted conclusion.

19) The Crown–Glory to Her Highness (November 30 review): The anachronistic British aristocracy must sensitively negotiate its relationship with its public. “The Crown” is the story of a conflict between private and public, between the personal feelings of a wife, mother, and sister and the queen (Elizabeth II). At its core, however, this is a character study and a family drama. Do you put personal fulfillment over political duty and obligation?

 

 

“The Tunnel” — Turf War or Building Bridges?

The Tunnel .
The Tunnel

This British-French bilingual thriller is a PBS television series, adapted from the 2011 Danish/Swedish crime series “The Bridge” [also remade as a 2013 American Fox series with a Mexican/American police team]. Hans Rosenfeldt, the original creator, develops this British-French version, renamed “The Tunnel”,  as well.

“The Tunnel” stars Stephen Dillane (of “Game of Thrones” fame) as British policeman Karl Roebuck and Clémence Poésy (from “Harry Potter and the Deathly Hallows”) as French policewoman Elise Wassermann. The mismatched detectives must work together to find a killer who has left the upper-half of a woman politician’s  body on the French side of the Channel Tunnel and the lower-half of another woman’s body on the UK side.

The murderer soon is revealed as a serial killer –nicknamed “TT” for “Truth Terrorist”– who is on a moral crusade. TT’s mission is to wreak vengeance for social injustices: particularly, the abolition of rights for immigrants and the poor, institutional mistreatment of the elderly, warehousing the mentally ill, jailing protesters rioting against government policies, and exploiting children. The “Truth Terrorist” revels maniacally in his own moral superiority. Forcing Roebuck and Wasserman into an uneasy partnership, the series of crimes involves ever more ingenious and horrific methods to underscore the moral bankruptcy of modern society.

“The Tunnel”, however, is more than a dramatic police thriller about fighting crime. The dualities of culture and personality, people divided by politics and history, are fascinating to watch for their layers of complexity. The uneasy chemistry between Roebuck and Wasserman are a metaphor for the cultural gap and ideological boundaries separating all of us: the powerful from the powerless, and the self-interest and turf-war conflicts between nations. “The Tunnel” is novelistic storytelling at its best!