In Season 3 of Netflix’s award-winning series, “House of Cards”, the Beltway game is passing Francis Underwood (Kevin Spacey) by and only he seems not to know it. This season is wife Claire Underwood’s story. Whatever the subplots and character arcs, this series continues to hinge upon the tortuous dynamics between Frank and Claire Underwood. They’ve been combustible before, but never quite like this. And now it is Claire’s turn to get center stage.
All thirteen episodes again are ready for binge-viewing and, are made for devouring before catching your breath and dissecting the scenes. Claire (Robin Wright), equally matched in jugular-jabbing duplicity to her husband, still stands by her man, but unlike Alicia Florrick in “The Good Wife”, Claire has yet to bloom. Her impending blossoming will be her husband’s undoing.
Showing hints of vulnerability — mainly through the voice and eyes of newly hired presidential biographer Thomas Yates (Paul Sparks), Francis isn’t about to become anyone’s target. At turns revealing and concealing, Francis takes us on a journey to his inner hell. And author Yates is the catalyst for undoing the Underwood marriage and encouraging Claire to assert herself.
In an early episode, after first telling the camera that visiting his father’s grave makes him seem more human, Francis nonchalantly and joyfully urinates on the gravestone. In episode four he desecrates a crucifix while purportedly going to the cathedral for spiritual guidance.
“We’re murderers, Francis,” Claire tells him. “No we’re not,” her husband replies without affect. “We’re survivors.” Whatever it takes to survive is the only lesson worth mastering.
“House of Cards” is still playing with a full deck but the scabrous King and Queen are ready to collapse on each other, their marriage growing more wobbly in each succeeding scene. Spacey and Wright’s performances remain assured and extraordinary.
That Claire must ask her husband as a supplicant in her own eyes makes her vomit, and her growing popularity with voters is what Frank desperately needs at the same time he fears her influence. In a pivotal scene with an American radical imprisoned for his homosexuality, Claire sees the life she could have had, underscored later on by the presidential biographer Yates.
The narrative’s dedication to Claire’s complex, perhaps inevitable, revolt against Frank keeps the series fascinating and surprising. This may just be the most well-written political drama ever produced for television or film by the incomparable Beau Willimon (of “Ides of March” fame).
Binge view if you can!