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Year: 2017

“The Salt of the Earth” (2014) –Drawing with Light

Iguana Marina Sebastiao Salgado, the renowned Brazilian sociopolitical photographer,  is the subject of this emotionally harrowing documentary. The viewer witnesses photographs of heartbreaking gravity and human agony, both unprecedented and breathtaking. The 2014 Academy Award nominated The Salt of the Earth reveals Salgado’s masterpieces of portraiture, political journalism, landscape, and animals in a way that evokes strong feelings. A display of Ansel Adams this is not! Perhaps the most startling experience in watching The Salt of the Earth is the beauty that is embedded in the tragic...

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“Bordertown”– New Boundaries in Scandinavian Noir

You can escape the big city and its frenetic fierceness, but you can’t escape murder, not even in the hinterland of Finland. That’s the psychologically disturbing theme in Bordertown, Netflix’s latest international acquisition and the latest Scandinavian Noir drama that's sure to mesmerize audiences.

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The Salesman–Not Exactly Arthur Miller

This 2017 Academy Winner for Best Foreign Film defies easy categorization.   The masterful Asghar Farhadi is the director, screenwriter, and producer of the 2013 Cannes Winner, “The Past”, the 2011 Academy Award Winner of “A Separation” and his most recent, The Salesman. All three of these Iranian films are idiosyncratic narratives of Shakespearean themes . The first destabilizes the past reminding us of unintended consequences (The Past), the second focuses on the nature of truth when there are no moral absolutes (A Separation), and the third reveals primal vindictiveness...

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