Every time I think I know what Jim Carrey will do next as a comedian the actor throws me off balance. Think of his new HBO series Kidding. But most of all, his evolution as a no-holds-barred political artist just blows me away.
I recently was privileged to see more than 80 of his sketches at the Maccarone Gallery in Los Angeles, “IndigNation: Political Cartoons by Jim Carrey, 2016–2018.” This Canadian actor is fearless in attacking the dysfunction of Trump’s presidency. The intensity of his aversion for Trump is felt pulsating through the 8 1/2 x 11 school notebook pages literally ripped from the binder. The torn, ragged edge of each sheet is perhaps a metaphor for how Carrey feels while painting with brush markers and acrylics, often in exceptionally fine detail.
From October 13 through December 7, the Los Angeles exhibit covered the Twitter sketches Carrey has posted weekly, since Trump’s inauguration. The Maccarone gallery had three huge rooms exhibiting his colorful drawings, simply framed, and with often scathing and vituperative captions revealing an artist talented with words as well as with color. Carrey has been quoted as saying that social media is his canvas. (Currently Carrey has 18 million Twitter followers @JimCarrey)
But it is only since January 2017 that we have seen how accomplished his artistic talents are, as he reacts with outrage to what Trump has done.
I hope that the IndigNation exhibit will travel throughout the country so that followers of Carrey will see for themselves how irrepressible these drawings are. Truly turbocharged fulminations of our times.
Note: “IndigNation: Political Cartoons by Jim Carrey, 2016–2018” was on view at Maccarone, 300 South Mission Road, Los Angeles, October 13–December 7, 2018.
Let me start by saying I wanted to really love this movie starring Jim Carrey and Ewan McGregor. I was sitting on the fence on this one but no more.
This oddball movie is loosely based upon an improbable but true story of a gay conman/grifter, Steve Russell, who continually breaks the law to impress his young lover, Phillip Morris, in a small Texas community. “I Love You Phillip Morris” opens with Russell (Jim Carrey) on a hospital gurney, near death. Up until now he has led a life of pretense –a married policeman whose wife, Debbie (Leslie Mann), is a sweet, caring church-going spouse. But his near-death experience has made Russell realize he’s going to live life as an openly gay man who no longer sneaks out on Debbie at night. His newfound gay lifestyle involves lavish and luxurious habits, which he cannot afford on a policeman’s salary so he turns to a world of crime. Sent to the Texas State Penitentiary where he meets the love of his life, Phillip Morris (Ewan McGregor), Russell begins an outrageous con to free both of them.
Every time Ewan McGregor is onscreen, this viewer lit up at his performance. While Jim Carrey somehow always reminds you that he is first and foremost Jim Carrey, that does not hold true for McGregor who plays the love interest with subtle charm and none of the usual swishy, exploitative cinematic portrayals of gay men. Carrey sometimes feels to me as if he is satirizing Russell, instead of seeing his tortured nature. In one of the most moving scenes in the story, Morris confronts Russell who has implicated him in his crimes: “How does someone who doesn’t exist go on existing?” Morris doesn’t know him, because the chameleonic Russell seemingly has no core.
Even though the main character is a narcissistic sociopathic scam artist, I think he could still have been lovable as was Leonardo di Caprio’s character in “Catch Me If You Can.” But I found the story not persuasive as fiction, let alone truth, because the larcenous self-inventing Steve Russell is so hard to understand, let alone feel compassion for. Russell seems to be stunted, but his perpetual emotional postponement, even in the face of the man he loves, is never underscored. To see a more convincing portrayal of the gay man’s situation, I would go see “A Single Man” hands down!
Good actors, some over-the-top homosexual erotic scenes but a movie that ultimately doesn’t realize its potential. Too bad–could have been concomitantly hilarious and touching in almost every way!