My Top Ten Movies for 2012–Reviewed, Not Necessarily New

Happy New Year–the Year of the Snake in 2013!  Most of all, I want to again thank all of you for your responses and comments, and for continuing to read my blog!

With 2012 coming to an end, I wanted to take a look back at the movie reviews I wrote this year.  When I counted the reviews I have written this year (=21), I wanted to see what would be my top ten favorites.  It wasn’t easy, especially for independent films.

This list is not ranked –only my top ten for 2012, grouped by genre.

INDIES and FOREIGN CINEMA

1) A Separation  (March 23 review)– An Iranian “Rashomon”, this cinematic masterpiece offers a rare view of ordinary Iranians–both affluent and struggling. Minor misunderstandings morph into a slow-motion nightmare that threatens to destroy everything and everyone in its path.

2) Jiro Dreams of Sushi  (April 29 review)– This documentary is much more than a movie about the perfect slab of sushi.  “Jiro Dreams Of Sushi” is a hauntingly elegant meditation on work, obsession, family, and the art of perfection, chronicling Jiro’s life as both an unparalleled success in the culinary world, and a loving yet complicated father.

3) Memory of a Killer (June 18 review)– With a fresh take on the revenge drama, this nail-biter transforms the hired assassin into a kind of moral hero: an aging killer with a conscience.   With an electrifying visual, almost palpable energy, “Memory of a Killer” is a highly original, disturbing and unforgettable thriller.

4) Scottsboro (July 10 review)– The history and analysis of this case deserves to be in every history book of 20th Century US civics. The landmark trial magnified rampant racism, denial of due process, and the continued North-South animosity that existed almost 70 years after the Civil War had ended.

5) Tsunami and the Cherry Blossom (September 2 review)– The home-video footage of the explosive black waves surging towards the coastline of Sendai will render you speechless.  The scale and imagery are overwhelming. This superb film reveals healing wounds and healing people, even in times of disaster.

6) Between the Folds  (August 6 review)– The intersections between origami, mathematics, and science are manifested in a magical sleight-of-hand. I promise you–if you see “Between the Folds”, you will never look at origami, the same way ever again!

7) The Garden (December 3 review)– Juggling politics, race and religion as well as the rights of property ownership in a free-market society,  “The Garden” is an investigation into a complicated case of backroom dealings, racial tensions and the question of just who represents a community.

COMEDIES

8) Best Exotic Marigold Hotel  (June 30 review)– This charming movie, while a paean to the aging baby boomers who are cinephiles,  is also   a shout-out to chasing your dreams, regardless of age.  The hopeful message: it’s never too late to make things happen.

BIG STUDIO MOVIES:

Political and Sociological

9)  Iron Lady (January 12 review)– Meryl Streep’s award-winning performance is achingly honest in its interpretation of  Margaret Thatcher’s powerful intellect, motivations, even perhaps her unconscious.

10) Arbitrage (September 29 review) In this film we witness unrelenting evil and an underlying fear of capture, committed in the pursuit of money and glory.  No one is spared.  This is a morality tale–a tale of hell in a financial guise. Richard Gere gives a virtuoso performance as a man who has lost his way on Wall Street.

Honorable Mention in Action: 

11) Safe House  (February 21 review) Though this is first and foremost a guy’s action-packed blockbuster, there is something for the rest of us. What do people sacrifice in service to the government that others don’t know about and don’t care to know anything about?  Denzel Washington superbly plays the anti-hero in “Safe House” and retains his integrity!

 

“Memory of a Killer”–Losing One’s Mind

Memory of a Killer  (De Zaak Alzheimer) is a 2003 film that defies description– about an elderly hired assassin, Angelo Ledda (the wonderful Belgian actor Jan Decleir), who is recruited for one last assignment: to kill a twelve-year-old girl.  The story moves in almost black-and-white footage through the sunless streets of Antwerp where whores, wives suffering from their husbands’ infidelities, slutty widows and worn out city detectives share the territory of corruption, heartlessness, and the murderous misuse of power.

Two cops (Verstuyft and Vincke) are assigned to random murders that occur throughout the city.   Soon the trail of murders leads to a connection with Ledda who is slowly descending into an Alzheimer’s fog.

This intelligent, distinctive nail-biter, with a fresh take on the revenge drama, surprisingly transforms the hired assassin into a kind of moral hero: an aging killer with a conscience.  Ledda’s skills and sense of justice remain intact, while simultaneously lapsing into forgetfulness in an ever increasingly disorienting haze. With an electrifying visual, almost palpable energy, “Memory of a Killer” is a highly original and disturbing thriller rendered unforgettable by Jan Decleir, who quite simply owns this role. With so many “law and order” movies and television programs proliferating across our screens, it is truly a testimony to the screenwriter and director of “Memory of a Killer” that this movie brilliantly fools us even when we know what has to happen.  The twists are subtle at times, but no less unforgettable and brilliant.   Rent it on Netflix!