“Lincoln Lawyer”–More Than an Ambulance Chase
We saw the movie “Lincoln Lawyer” a couple of days ago, and it was a highly engaging–not brilliant–courtroom thriller of a movie in the “Grisham” style. Think the best of the courtroom dramas of the recent past: “Fracture” meets “Presumed Innocent”, for example. This film noir, based on a book written by Michael Connelly, is pure entertainment–with a few twists to keep it original and not the same old courtroom drama we’ve seen done well and also done poorly. Michael “Mick” Haller (Matthew McConaughey in one of his very best performances since “North Star” and “A Time to Kill”) is a slick, charismatic Los Angeles criminal defense attorney who operates out of the back of his Lincoln Town Car sedan–hence, the name “Lincoln Lawyer”.
Having spent most of his career defending down-and-out street criminals, Mick unexpectedly is recommended for the lucrative assignment of representing Louis Roulet (played chillingly by Ryan Phillippe), a spoiled Beverly Hills playboy who is accused of attempted murder. Roulet has been accused of brutally beating a young prostitute he met in a bar. Mick senses there is something incredible about this windfall. If Roulet has unlimited funds and really is innocent, why is he hiring a guy like him, who works out of the back seat of a car? The lawyer has spent all his professional life afraid that he wouldn’t recognize innocence if it stood right in front of him, a caveat from his father. He wonders if he could be staring into the face of evil, not innocence, and is terrified that he doesn’t know the difference.
Fueled by McConaughey’s and Philippe’s bravura, career-reshaping performances, the supporting cast sustains the audience’s attention: Marisa Tomei as Mick’s ex-wife and fellow attorney, Frances Fisher as Roulet’s intimidating mother, and especially William H. Macy, as Mick’s friend and loyal but offbeat private investigator.
McConaughey has brilliantly played the hard-edged law officer before, either as a sheriff or a lawyer with Southern overtones. Returning to that type of role in “Lincoln Lawyer” may indicate that he is heading for a highly acclaimed “Paul Newman”-type of second act (as exemplified by Newman’s Academy Award-nominated performance as a marginal lawyer in “The Verdict”). He effortlessly maneuvers between charm and sleaze as Mick Haller, yet retains some basic human scruples, which will allow him to save his soul. This movie is a delicious two hours’ entertainment, not just another potboiler of ambulance chasers–you won’t be disappointed!