Based on the novel by André Acimen and directed by Luca Guadagnino, Call Me By Your Name delivers a universal coming-of-age narrative. The two main characters’ relationship serves as a mirror through which viewers can recognize their own vulnerability and youth’s promise of love.
Against the backdrop of the Northern Italian countryside in the 1980’s, Call Me By Your Name is a beautiful portrait of the complexity of human desire and sexuality. Elio (the Academy Award-nominated Timothée Chalamet), is the adolescent son of a Jewish archaeologist and a French-Italian mother. Oliver (Armie Hammer, also nominated for an Academy Award), is a research assistant mentored by Elio’s father (Michael Stuhlbarg). Invited to the professor’s home to gather data on ancient Greek sculpture during the summer, Oliver embark on what would be considered a morally-questionable romance, as he and the teenage Elio explore not only homosexual love but also love between an adolescent and an adult ten years older. Call Me By Your Name normalizes this relationship as simply a romance between two men that seems to exist completely outside of time. The two pass the summer under the glittering Italian sun, portraying both the brilliance of the landscape and the idyllic, albeit ephemeral, nature of summer love and heat.
Chalamet and Hammer deliver amazing and sensitive performances that truly capture the struggle of sexual exploration and identity. Call Me By Your Name reveals the subtle complexities and intense sexual attraction between Elio and Oliver, thus helping the viewer to really understand their romance as well as the games they play.. The character of Elio, in particular, proves incredibly raw, insightful, and even alluring—almost an archetype of male youth, mirrored in a pivotal scene where Elio’s father admires the erotic male sculpture of ancient Greece, stating that the art “dares you to desire them.” In his relatable, sometimes clumsy efforts at winning the affections of Oliver, Elio showcases his vulnerability, anguish, and self-actualization. These struggles are poetically articulated in scenes with Elio’s parents who, rather than denounce the relationship, encourage his self-exploration. Elio’s father delivers an electrifying speech–“We rip so much out of ourselves”– that unapologetically combats conventional notions of masculinity and human desire, lost youth, as well as the aching heartbreak of unrealized dreams.
— Sam McKeown, Guest blogger
Currently a graduate student at the American University of Paris exploring different methods of storytelling through food, Sam’s blog can be found at: placebuds.blog