“Blindness” –Seeing is Believing

Based on a popular novel by the Portuguese Nobel Prize-winning author Jose Saramago, Blindness (2008) is a dystopian tale of survival in the face of a pandemic.

 Blindness opens with an affluent Japanese businessman suddenly blocking traffic during rush hour. Inexplicably blinded, he is unable to continue driving and a seemingly good Samaritan offers to help him. When they arrive at the Japanese man’s upscale apartment, however, the “good Samaritan” steals his car and escapes. Soon the entire city is overtaken by a pandemic of “white blindness”, like driving in a snow storm. The pandemic becomes global.

The tale of survival begins. Quarantined in an abandoned mental asylum, the rules of society soon come to a screeching halt with the powerful preying on the weak. Only one woman (Julianne Moore), whose husband (Mark Ruffalo) ironically, is an eye doctor now blinded— is the witness to horrific acts. Keeping her sight a secret, she guides the blind, surviving what has become a totalitarian government imposing ruthless measures on the blind in order to maintain control and subjugation. Meanwhile, the residents are becoming increasingly hopeless and desperate, fearful of their circumstances, and taken advantage by a tyrannical “Ward 3” leader (Gael Garcia Bernal). The insurrection against the despot results in chaos and brutality towards each other.

Blindness depicts the difference between civilized society and a totally barbaric one as the thinnest of boundaries. The norms of society are fragile and easily broken. Blindness, like Lord of the Flies, raises the question: What would I do in such a situation? A thought-provoking and well-executed film!