“Truth”—And Nothing But
“Truth” (2015) somehow stayed under the radar last year. A compelling newsroom docudrama , “Truth” reminds me of “All the President’s Men” and the Watergate scandal.
Opening with the September 2004 “60 Minutes” episode, Dan Rather accuses President George W. Bush of receiving preferential treatment in the National Guard in the early 1970s (Vietnam War era) as a result of his father’s connections. Photocopied memos provided by a confidential source were the main evidence for Rather’s accusations.
But Mary Mapes is the true hero. Producer of “60 Minutes”, Mapes had just won the Peabody Award for breaking the story of the Abu Ghraib torture and the story of Senator Strom Thurmond’s unacknowledged biracial daughter. Mapes did the research within the constraints of hard- to-verify dated documents.
Both the validity of the documents and the credibility of the source came almost immediately under attack. After days of defending the story with forensic specialists, Rather made an on-air apology stating that a “mistake in judgment” had been made. CBS did not acknowledge the documents were forgeries but that they could not confirm they were not. Nonetheless, the firestorm resulted in Dan Rather’s “retirement”. Mary Mapes never worked in TV news again.
Starring Robert Redford as Dan Rather and Cate Blanchett as Mary Mapes, “Truth” raises the question: “What is truth? And how do we know?” In an exceptionally well-developed narrative, much like a crime drama, the viewer follows the clues and the trail to the usual suspects. In perhaps one of the most cruel tactics to discredit Mapes, a conservative talk show host interviews her alcoholic and abusive father who states he is ashamed of what his daughter has become: a feminist with an axe to grind. Emotional manipulation arises when facts are slim or too complex to be easily grasped. Although told from the perspective of Mapes, different versions of events are presented so the viewer has to draw his or her own conclusions.
“Truth” is based on Mapes’ 2005 memoir “Truth and Duty: The Press, the President, and the Privilege of Power.” It’s a 12-year-old case, but the wounds are still unhealed.
Footnote: Some at CBS News were “angry” with the film’s implication that news executives were pressured to revoke the story by corporate owner Viacom, which had a business incentive to remain on friendly terms with the Bush administration. Although the financial backers of “Truth”, CBS Corporation did not promote or advertise the film.